Showing posts with label Praise4Media. Show all posts
Showing posts with label Praise4Media. Show all posts

Tuesday, February 1, 2022

Praise4Media - Jumanji: The Next Level

Welcome to Jumanji, again

Jumanji: Welcome to the Jungle was a massive hit for Sony, moreso even than the original adaptation, a sequel was greenlit but rather than alter the formula drastically they decide to stick with the core cast. I guess we’re still more of a video game society when it comes to games and we haven’t really evolved past it yet... Jumanji VR, now there’s a horrifying idea for a sequel.

Anyway, released in 2019, the film was another box office success, raking in $800m on its $132m budget. A 71% and 87% Rotten Tomatoes rating with Critics and Audiences respectively also speaks to the film’s merit. But it’s been a couple of years now, let’s dive into the film and see if it holds up under scrutiny.

Sunday, July 25, 2021

Praise4Media #72 - The Lego Movie 2: The Second Part

The original Lego Movie was great a fun nostalgia trip for adults and a decent mix of humour of set-pieces to advertise lego products to our younger audience. A sequel to this was inevitable, and Phil Lord and Chris Miller, two still popular writers, were on board. So why did this film flounder at the box office? What went wrong here?



The film had critical success, but not the same level as the first one, though still an impressive 84% compared to 96% for the first one. The drop off with audiences is a bit steeper with a 68% rating down from 87% but why is that? I have some theories but let’s start by diving into the story.

Sunday, July 11, 2021

Praise4Media #71 - Sonic the Hedgehog

Haven’t done a lot of Praise4Media this year, though I haven’t done a lot non-retrospective long reviews period. Chalk that down to a very busy year. Maybe the day will come when I retire Rage4Media and Praise4Media reviews entirely to focus on retrospectives and shorter reviews but that day is not today.

I don’t have any real history with Sonic. He’s that blue hedgehog who likes to collect rings in 2D and later 3D platformers and some other sh*t. I only really got into Crash Bandicoot with the n-sane trilogy and Jak and Daxter I got into much later than the more combat oriented Ratchet series.

But I am not unaware of the reputation of video game movies being dire trash. From the abysmal attempt at a Super-Mario bros movie to the mediocrity that was the Ratchet and Clank movie. Still, there have been some good ones of late. The Tomb Raider movie felt faithful, Detective Pikachu was a blast and Rampage, I still like Rampage too.

Then we have the idea of transforming characters from a cartoon aesthetic into the modern world, a trend I don’t really understand. Alvin and the Chipmunks wasn’t bothered by it because it was just an aesthetic change, but the Smurfs and more recently the Tom and Jerry Movie (apparently, I haven’t seen it) suffer from putting focus on human characters not from the original source material.

Sonic the Hedgehog follows a similar format, putting Sonic in a human world and having half the focus being on a human character. There was controversy pretty quickly with his design which had a complete and expensive overhaul following fan backlash. And I’ve seen the trailer, I do see why. When you have a CG character not bound by the laws of looking realistic, find a way to make it expressive.

Made on around a $90m budget, the film grossed around $320m. Not bad as it released in February 2020, weeks before everything went nuts with Covid. The film has received a moderate critical praise with a 62% Rotten Tomatoes rating, but rated highly with audiences giving it a 92% RT rating.

Friday, February 26, 2021

Praise4Media #70 - Hobbs and Shaw

Who remembers the Fast and the Furious Franchise, it’s been going for a while now, so let’s get a spinoff featuring popular characters, recipe for success?

What started as a film about street racing with the occasional heist ramped up a few gears over the years, with more focus on the heists and action over actual street racing. It never stopped involving cars but the genre slowly morphed. The other thing the films did is the proverbial jump off a ramp over a tank of sharks, and then they drove out of a building and into another building across the street, and that I mean literally.

Yeah, the overhaul of the tone of the franchise to focus on a tight-knit ‘family’ of individuals doing increasingly ludicrous car stunts hasn’t gone unnoticed. Still, the numbers don’t lie and Fast 5 and onwards have been far more successful, and that has to be attributed to the tone.

Fast 5 introduced the Rock as Luke Hobbs, an FBI agent who’s tough as nails with a very fixed moral compass, allowing him to look past his mission and see the greater good. On the other side we have Jason Statham as Deckard Shaw, a mastermind that murdered Han (this apparently will be retconned in Fast 9 because the Fast Franchise lives on comic book logic) and has had a rivalry with Hobbs as they had to work together for a common good in Fast 8.

Both characters have a broad appeal, mostly because of the actors playing them. And despite some behind-the-scenes controversy over this, they were spun off into their own film, Hobbs and Shaw. The film was released in 2019, back when the cinema wasn’t a scary dangerous place, to mixed to positive reviews, and $750m on a $200m budget, can’t really say fairer than that.

In the director’s chair we have David Leich, who we last saw as the director of Deadpool 2, and writing we have Chris Morgan, who’s been writing for the franchise since Tokyo Drift. I’d say these are relatively safe hands, so let’s see if I’m right.

Thursday, December 10, 2020

Praise4Media #69 - Spider-man: Far From Home

Spider-man, Spider-man
Don’t wanna go cause he’s spider-man
Turned to dust, snapped to life.
Mentor goes to the afterlife 

Look out, off goes the Spider-man!

One thing I’ve praised about the MCU’s Spider-man is their willingness to offer new elements, most of the supporting cast are original or have been drastically changed from the source material. That being said, putting such an emphasis on Peter’s relationship to Tony Stark is a double-edged sword, especially when the sequel takes place after an event which kills him off. 

Jon Watts is back in the director’s chair and 2/6 of the writing staff of the last film are also here, Chris McKenna, who alongside the Spider-man movies also co-wrote the Lego Batman Movie, Jumanji: Welcome to the Jungle and Ant-man and the Wasp, and Erik Summers, who has a similar resumé.

The film had a bigger budget, nearing $200m and, in part riding the wave from Avengers Endgame became the first $1bn Spider-man movie. And has pretty favourable ratings with both critics and audiences (90% average 7.44/10 and 95% average 4.63/5 respectively) so where do I stand, I guess it’s on guilty pleasures so I must like it to some degree but let’s analyse and make fun of it anyway.

Friday, September 18, 2020

Praise4Media #68 - Scott Pilgrim vs The World (Scott Pilgrimage Final Level)

The journey was long and annoying, but now you get to see what it’s really about: The Destination. We conclude our Scott Pilgrimage with a look at Scott Pilgrim vs the world: The Film


At the helm here is Edgar Wright, who you might remember being the director of Baby Driver, I film that’s almost impossible for me to rewatch given the current allegations against the lead actors. His history at this point was Simon Pegg comedies, and everyone loves Hot Fuzz, right? Can’t say I’m a huge fan of it, honestly but… 

Wright is writing (ha) alongside Michael Bacall, who’s last writing project at this point had been a german comedy called Booker, which launched in 2003. The film started pre-production not long after the first volume came out, with Bryan Lee O’Malley involved at least as a consultant on the film, giving notes on his intended plans for later volumes.

That said the final volume of the book was released only a week before the film came out, and the colour editions didn’t come out till until 2 years later, so they were not used beyond the occasional notes in the final film. It’s also possible the film’s casting inspired some of the colours from the colour editions, as colour could only have been implied in Black and White. It’s also true that the film actually helped inspire some of the creative choices for volume 6, though not in the way you might expect.

Wednesday, September 16, 2020

Hub Page

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Tuesday, September 15, 2020

Rage4Media renewed

I guess I'm back, y'all

Rage4Media left Blogger after being blocked on facebook, but for a number of reasons my replacement didn't work out. To resolve the issue at hand, I'm moving back to Blogger on a new site, and I'll post all the Wix reviews in due course.