Showing posts with label Rocketman. Show all posts
Showing posts with label Rocketman. Show all posts

Sunday, May 16, 2021

RageLite review - Rocketman

Back in 2019, I announced this as my favourite film of that year, we look at the tale of Elton John, or at least a stylised version of it, in Rocketman.

Taron Egerton had recently been in the absolute disaster that was the latest Robin Hood reboot, I may have to talk about that at some point but for now, it put his status as a leading man on a knife’s edge, the next film had to hit it out of the park. And a dramatized retelling of some of the interesting bits of one of the biggest popstars to come out of the UK, certainly an interesting choice but it’s not as if Taron Egerton had no experience in the field, he had previously a sung cover of I’m Still Standing whilst playing the Johnny in Illumination’s Sing.

The director is Dexter Fletcher, a guy who’s no stranger to musical biopics, having taken over from Bryan Singer as the director of Bohemian Rhapsody. Whilst that film, for all its flaws, was a smash at the box office, Rocketman had a lot more working against it. Simply put, to do justice to Elton John’s life, an R-rating was pretty much guaranteed, which would place it as a much more niche product compared to the PG-13 Bohemian Rhapsody.

There’s also the issue of Elton John being gay, an issue they couldn’t dodge because his love-life ended up quite entwined with his music, especially in this story. This would unfortunately put it on a blacklist for certain homophobic countries, who’s names I am going to happily drop. F*ck Egypt, F*ck Malaysia, F*ck Samoa and naturally F*ck Russia, though ironically it’s f*cking that got the film into trouble in the first place.

Still, the film only had a $40m budget, which was made back and then plenty, making $195m at the box office. And it went over well with both critics and audiences with 89% and 88% Rotten Tomatoes Ratings. Why did this beat out films like Endgame to be my absolute favourite film? Let’s take a look.