We’re taking another look at Pacific Rim: The Black
So, I guess it’s time to talk about Pacific Rim again. I love the two movies but I realise the sequel is divisive. I never thought the first one took itself too seriously, but a lot of people criticised the sequel in particular for being too dumb. That and killing the only returning character in the first act probably soured a few people too.
Still, giant robots fighting monsters is a concept that will
never get old, especially in Japan. So we get another clash between Jaegers and
Kaiju in Pacific Rim: The Black. The developers here are Greg Johnson and Craig
Kyle, who also co-developed Wolverine and X-men which I covered way back. The
show has a 2 season order from Netflix, though the seasons themselves are only
7 episodes, so for the next two weeks, let’s take a look at what the show has
to offer.
Now, MGM has a long history of producing animation, being
the studio behind the original Tom and Jerry shorts, among others but their
production of late is fairly slim pickings. They’re certainly not on the same
level as something like Disney or even Illumination. CG is certainly a
relatively new field for them, and they were only given a $23m budget for it.
Still, the film was commercially successful, earning back $203m, but it divided
critics with only a 44% Rotten Tomatoes rating
So, how does this animated Addams family show up? Let’s take a look.
OK, we’re a go for one last run through Love, Victor. Will Victor find himself this season? Let’s take a look.
It’s back, muhahahahahahahahaha
The Addams family was created as a series of single panel
comics by artist Charles Addams in 1938. It is no stranger to adaptation,
receiving a TV series in the 1960s, with a TV movie loosely attached, an
animated series in 1973, and an upcoming Netflix series helmed by the guy who was born to
direct this franchise, Tim Burton. But we’re looking at the cinematic releases,
starting with the 1991 film. [I won’t be covering the animated sequel, as it’ll
only just have released]
The film has a notoriously troubled production, with several rewrites, and directors of photography putting the film $5m over-budget. Orion Pictures, who produced several classics such as Silence of the Lambs were sadly already in financial difficulty, sold the North American distribution rights to Paramount. And for what it’s worth, they and the international distributers MGM (who would go onto buy Orion Pictures) got a good deal out of it, the film made $190m on its $30m budget.
Alright, we’re back for a second look at Love Victor. Pilar’s discovered a devastating secret and Victor’s love life continues to be complicated.