So, here’s one that’s a bit interesting, and by interesting, I mean that the title is excruciatingly long, this is Birds of Prey and the Fantabulous Emancipation of One Harley Quinn.
I try not to think about Suicide Squad too often, here’s
hoping the James Gunn version is better. But one thing I couldn’t complain
about was Margot Robbie’s performance as Harley Quinn. Harley Quinn over the
years has surged in popularity, especially recently as her animated series,
which to my astonishment was really f*cking good.
Anyway, with Harley’s star rising, a solo film was
inevitable and the one that DC Ultimately greenlit was one championed by Margot
Robbie herself. She was of the belief that Harley needed a team to interact
with… a point I will bring up later in the review itself.
The end result is an R-rated $100m blockbuster, on the
cheaper end for superhero films, written by Christina Hodson, known for the
saviour of the Transformers franchise, Bumblebee, and directed by Cathy Yan, the
first Asian-American director of a superhero film.
The performance was, regrettably underwhelming, making just over $200m and with a critical score of around 78% with a 6.8/10 average.
Harley Quinn: Birds of Prey (the second and honestly more
fitting title) is the story of Harley after the Joker, who went to great
lengths during Suicide Squad to break her out, kicks her out. Unlike with a lot
of breakups, Harley doesn’t spend time in denial in the way you think. She
begins making her new life, and uses the prestige of being the Joker’s partner
to get away with whatever she wants.
But nothing lasts forever and she decides to make a huge
statement, blowing up Ace Chemicals. In doing so however, she’s opened the
floodgates to everyone she’s ever wronged to come after her. Top of that list
is Roman Sionis aka Black Mask and his… kinda maybe partner, Victor Zsasz. They
capture her but offer her a way out and…
Yeah, you might’ve noticed I’ve not talked about the Birds
of Prey yet. I said Harley Quinn: Birds of Prey is a more appropriate title
because this really is a Harley Quinn film with the Birds of Prey playing a
more supporting role. The group don’t unite until the climax and are only
properly introduced to each other moments before that.
Harley is tasked with recovering a diamond from street thief
Cassandra Cain. Honest Trailers thought I’d be mad at their portrayal of Black
Mask, and not Cassandra Cain? She’s the one bat-family character that could
potentially take Bruce in a fight. See the Linkara retrospective if you want
more insight there but here’s she’s ‘the kid’ and that’s kinda sad.
So there’s a bit of bonding, some decent and well-directed
action, the acting is pretty solid on all points.
OK, so let’s get to the other characters in the film, this
will not take very long. Helena Bertinelli, proof that showmanship is part of
the deal and lacking it makes you a decent comedic foil even if you’re
otherwise a deadly weapon. Renee Montoya, who quits the sexist establishment to
join a group of superheroes when her only skill is pretty much already taken.
And there’s Black Canary, who uses her sonic scream all of… once.
Then we circle back to Black Mask, played by Ewan McGregor.
He’s amazingly intimidating in this film. You never quite know what he’s going
to do at any moment but he’s not crazy like the Joker, his scheme in the film
is not especially complicated, he wants the diamond and because of contrivance,
it’s linked to the Bertinelli fortune. Not sure I’d ever want to bring someone
to his nightclub, might be forced to strip for him and dance at gunpoint. Not
exactly a great business strategy. His mask is more a decorative thing rather
than fused to his face like it is in the comics but I wouldn’t say it’s a poor interpretation
of the character.
Harley’s character journey in this film is kinda over before
it starts. She starts out wanting to strike out on her own and become a
mercenary, she becomes one in the end. I suppose her growing relationship with
Cassandra counts for something but Cassandra is relatively bland, or at least
seems that way when contrasted with Harley’s exceptionally outward personality.
The film as a weird entertaining tone. It’s a more
light-hearted affair than DC’s average with Harley telling a few jokes and
there just being more bright colours around, but it’s contrasted by pretty
brutal violence. Deadpool tried for this tone but the character of Deadpool and
his fourth-wall breaking leant itself to this style a lot easier. That being
said I wouldn’t call this a failure either.
Harley Quinn: Birds of Prey is a Harley Quinn film with the
Birds of Prey tacked on for some reason. The actual Birds themselves are well
acted but don’t get enough time dedicated to fully fleshing out their arcs and
whilst the bright and often cartoony tone clashes with the extreme violence,
the acting is generally of high enough quality for it to be overlooked.
Rating 65/100
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