We’re back to finish off our look at the Dragon Prince. And just to clarify my issues with the pacing. It’s not that any particular episode drags, but more a price of a 9-episode season that spends 1/3 of its length getting everything in place. In a longer season, (hell, if it were 12 instead of 9) I wouldn’t complain, but with only 9 episodes to play with, you have to allocate time accordingly and I feel too much of it is spent in the opening. And no, I’m not expecting the show to complete the quest by season’s end, but I expect them to build to something, let’s see if the next 3 episodes alleviate my concerns.
Sunday, February 28, 2021
Friday, February 26, 2021
Praise4Media #70 - Hobbs and Shaw
Who remembers the Fast and the Furious Franchise, it’s been going for a while now, so let’s get a spinoff featuring popular characters, recipe for success?
What started as a film about street racing with the
occasional heist ramped up a few gears over the years, with more focus on the
heists and action over actual street racing. It never stopped involving cars
but the genre slowly morphed. The other thing the films did is the proverbial
jump off a ramp over a tank of sharks, and then they drove out of a building
and into another building across the street, and that I mean literally.
Yeah, the overhaul of the tone of the franchise to focus on
a tight-knit ‘family’ of individuals doing increasingly ludicrous car stunts
hasn’t gone unnoticed. Still, the numbers don’t lie and Fast 5 and onwards have
been far more successful, and that has to be attributed to the tone.
Fast 5 introduced the Rock as Luke Hobbs, an FBI agent who’s
tough as nails with a very fixed moral compass, allowing him to look past his
mission and see the greater good. On the other side we have Jason Statham as
Deckard Shaw, a mastermind that murdered Han (this apparently will be retconned
in Fast 9 because the Fast Franchise lives on comic book logic) and has had a
rivalry with Hobbs as they had to work together for a common good in Fast 8.
Both characters have a broad appeal, mostly because of the
actors playing them. And despite some behind-the-scenes controversy over this,
they were spun off into their own film, Hobbs and Shaw. The film was released
in 2019, back when the cinema wasn’t a scary dangerous place, to mixed to
positive reviews, and $750m on a $200m budget, can’t really say fairer than
that.
In the director’s chair we have David Leich, who we last saw as the director of Deadpool 2, and writing we have Chris Morgan, who’s been writing for the franchise since Tokyo Drift. I’d say these are relatively safe hands, so let’s see if I’m right.
Sunday, February 21, 2021
Saturday, February 20, 2021
Pixar Playlist #16 - The Good Dinosaur
Ladies and Gentlemen, whether you like it or not, the Pixar Playlist
We find ourselves in a special situation with our next film, it’s the first Pixar film to make a loss at the Box Office, the Good Dinosaur
The film was Pixar’s second
release of 2015, but was originally scheduled for November 2013. This film was
in the works since 2009 under Bob Peterson and Peter Sohn, John Walker was also
apparently involved. This film was delayed twice after they found themselves in
a creative block, ultimately resulting in Peterson and Walker being removed
from the film, with John Lasseter, Lee Unkrich and Mark Andrews all brought in
to help Peter Sohn with the film. The script underwent major revisions during
this time.
Most of the cast was recast,
likely at considerable expense. And it’s hard not to think that this film’s
delays may have indirectly resulted in some of the layoffs that were happening
at Pixar at the time
None-the-less, the movie was released to critical praise, a 75% rating on Rotten Tomatoes but with a lower-than-average 6.6/10 average score. The film made $332m on it’s $175m budget. That may sound ok, but with marketing costs and theatre cuts taken from it, it spells around an $85m loss for the studio. So, why did this film fail to connect with audiences? Let’s take a look
Friday, February 19, 2021
Netflix Retrospective - The Dragon Prince Book 1 Chapters 1-3
I’ve been on the fence about doing this one with the allegations against Aaron Ehasz, it's claimed he was discriminating against women in the workplace, these are statements made by former employees of Wonderstorm, the start-up company behind this show. However, the people making these allegations have encouraged people to continue watching and unlike, say, JK Rowling, who’s work I am now boycotting, Arron Ehasz has not spreading hate in the public view.
So with that disclaimer out of the way, The Dragon Prince.
Arron Ehasz was one of the brains behind Avatar: The Last Airbender. In 2017 he
co-founded a company called Wonderstorm with Justin Richmond and Justin
Santistevan. They made a pitch for a new animated adventure, this time
utilising computer-generated animation, and Netflix bought onto it, thusfar
ordering 7 seasons of around 9 episodes each.
The show has been positively received an won an Emmy, but let’s take a look and see how it handles itself narratively.
Tuesday, February 16, 2021
#82 - The Kid who would be King
OK, this one is a long-time coming. Arthurian lore certainly has a lot of timeless lessons to teach us. Violence is not strength; compassion is not weakness etc etc. It has never had a particular impact on my life but I do find them interesting enough to watch on occasion. But mixing it into the modern world needs to be done with exceptional care and for me, the Kid Who would be King is a clumsy effort.
The Kid Who Would be King was written and directed by Joe
Cornish, who had previously written the Adventures of Tintin and Attack the
Block, and had a hand with Ant-man. All movies of decent quality. He directed
the first 2 of them too, so I hold nothing against him as a director going in.
This film was released by Fox, as one of the last films it
released before the Disney takeover but despite some critical success, made a
pittance at the box office, not even making back it’s $50m budget.
Sunday, February 14, 2021
Friday, February 12, 2021
Pixar Playlist #15 - Inside Out
Ladies and Gentlemen, whether you like it or not, the Pixar playlist
Monsters University came out in June 2013, Pixar’s next film didn’t come
out for another 2 years. If Monsters University proved anything, it was that
Pixar needed a break to come up with new original ideas.
That said, this film has been in pre-production since Disney execs gave
Pete Doctor the go-ahead to make another film after the success of Up. This
went through a long process of drafts and rewrites and, much to my elation,
they consulted actual psychologists for this one. This film is about emotional
wellbeing, which is tied to mental health, and we all know what happens when we
try and write a story about mental health without consulting mental health
professionals…
Let’s say no more about that one.
Despite initial concern about it being difficult to market, children
responded well to the test screening and it went on to earn $850m at the box
office. It’s a critically lauded film, with a 98% Rotten Tomatoes rating.
Just for some context, this was the first Pixar film I saw in cinemas as an adult, so
I might be a little biased.