Sunday, February 28, 2021

Netflix Retrospective - The Dragon Prince Book 1 Chapters 7-9


We’re back to finish off our look at the Dragon Prince. And just to clarify my issues with the pacing. It’s not that any particular episode drags, but more a price of a 9-episode season that spends 1/3 of its length getting everything in place. In a longer season, (hell, if it were 12 instead of 9) I wouldn’t complain, but with only 9 episodes to play with, you have to allocate time accordingly and I feel too much of it is spent in the opening. And no, I’m not expecting the show to complete the quest by season’s end, but I expect them to build to something, let’s see if the next 3 episodes alleviate my concerns.

Friday, February 26, 2021

Praise4Media #70 - Hobbs and Shaw

Who remembers the Fast and the Furious Franchise, it’s been going for a while now, so let’s get a spinoff featuring popular characters, recipe for success?

What started as a film about street racing with the occasional heist ramped up a few gears over the years, with more focus on the heists and action over actual street racing. It never stopped involving cars but the genre slowly morphed. The other thing the films did is the proverbial jump off a ramp over a tank of sharks, and then they drove out of a building and into another building across the street, and that I mean literally.

Yeah, the overhaul of the tone of the franchise to focus on a tight-knit ‘family’ of individuals doing increasingly ludicrous car stunts hasn’t gone unnoticed. Still, the numbers don’t lie and Fast 5 and onwards have been far more successful, and that has to be attributed to the tone.

Fast 5 introduced the Rock as Luke Hobbs, an FBI agent who’s tough as nails with a very fixed moral compass, allowing him to look past his mission and see the greater good. On the other side we have Jason Statham as Deckard Shaw, a mastermind that murdered Han (this apparently will be retconned in Fast 9 because the Fast Franchise lives on comic book logic) and has had a rivalry with Hobbs as they had to work together for a common good in Fast 8.

Both characters have a broad appeal, mostly because of the actors playing them. And despite some behind-the-scenes controversy over this, they were spun off into their own film, Hobbs and Shaw. The film was released in 2019, back when the cinema wasn’t a scary dangerous place, to mixed to positive reviews, and $750m on a $200m budget, can’t really say fairer than that.

In the director’s chair we have David Leich, who we last saw as the director of Deadpool 2, and writing we have Chris Morgan, who’s been writing for the franchise since Tokyo Drift. I’d say these are relatively safe hands, so let’s see if I’m right.

Saturday, February 20, 2021

Pixar Playlist #16 - The Good Dinosaur

Ladies and Gentlemen, whether you like it or not, the Pixar Playlist


We find ourselves in a special situation with our next film, it’s the first Pixar film to make a loss at the Box Office, the Good Dinosaur

The film was Pixar’s second release of 2015, but was originally scheduled for November 2013. This film was in the works since 2009 under Bob Peterson and Peter Sohn, John Walker was also apparently involved. This film was delayed twice after they found themselves in a creative block, ultimately resulting in Peterson and Walker being removed from the film, with John Lasseter, Lee Unkrich and Mark Andrews all brought in to help Peter Sohn with the film. The script underwent major revisions during this time.

Most of the cast was recast, likely at considerable expense. And it’s hard not to think that this film’s delays may have indirectly resulted in some of the layoffs that were happening at Pixar at the time

None-the-less, the movie was released to critical praise, a 75% rating on Rotten Tomatoes but with a lower-than-average 6.6/10 average score. The film made $332m on it’s $175m budget. That may sound ok, but with marketing costs and theatre cuts taken from it, it spells around an $85m loss for the studio. So, why did this film fail to connect with audiences? Let’s take a look

Friday, February 19, 2021

Netflix Retrospective - The Dragon Prince Book 1 Chapters 1-3

I’ve been on the fence about doing this one with the allegations against Aaron Ehasz, it's claimed he was discriminating against women in the workplace, these are statements made by former employees of Wonderstorm, the start-up company behind this show. However, the people making these allegations have encouraged people to continue watching and unlike, say, JK Rowling, who’s work I am now boycotting, Arron Ehasz has not spreading hate in the public view.

So with that disclaimer out of the way, The Dragon Prince. Arron Ehasz was one of the brains behind Avatar: The Last Airbender. In 2017 he co-founded a company called Wonderstorm with Justin Richmond and Justin Santistevan. They made a pitch for a new animated adventure, this time utilising computer-generated animation, and Netflix bought onto it, thusfar ordering 7 seasons of around 9 episodes each.

The show has been positively received an won an Emmy, but let’s take a look and see how it handles itself narratively.

Tuesday, February 16, 2021

#82 - The Kid who would be King

 OK, this one is a long-time coming. Arthurian lore certainly has a lot of timeless lessons to teach us. Violence is not strength; compassion is not weakness etc etc. It has never had a particular impact on my life but I do find them interesting enough to watch on occasion. But mixing it into the modern world needs to be done with exceptional care and for me, the Kid Who would be King is a clumsy effort.

The Kid Who Would be King was written and directed by Joe Cornish, who had previously written the Adventures of Tintin and Attack the Block, and had a hand with Ant-man. All movies of decent quality. He directed the first 2 of them too, so I hold nothing against him as a director going in.

This film was released by Fox, as one of the last films it released before the Disney takeover but despite some critical success, made a pittance at the box office, not even making back it’s $50m budget.

Friday, February 12, 2021

Pixar Playlist #15 - Inside Out

Ladies and Gentlemen, whether you like it or not, the Pixar playlist

Monsters University came out in June 2013, Pixar’s next film didn’t come out for another 2 years. If Monsters University proved anything, it was that Pixar needed a break to come up with new original ideas.

That said, this film has been in pre-production since Disney execs gave Pete Doctor the go-ahead to make another film after the success of Up. This went through a long process of drafts and rewrites and, much to my elation, they consulted actual psychologists for this one. This film is about emotional wellbeing, which is tied to mental health, and we all know what happens when we try and write a story about mental health without consulting mental health professionals…

Let’s say no more about that one.

Despite initial concern about it being difficult to market, children responded well to the test screening and it went on to earn $850m at the box office. It’s a critically lauded film, with a 98% Rotten Tomatoes rating.

Just for some context, this was the first Pixar film I saw in cinemas as an adult, so I might be a little biased.