I’m likely going to do episode by episode breakdowns for most of the Disney Plus Marvel line-up but I’m making an exception for WandaVision, which especially in its early episodes has a main plot happening very much in the background. Because of it happening so close to the end of Infinity War, Wanda being among those blipped and the 5-year time-jump, there really wasn’t time in those films to explore the impact the death of Vision, that’s where this show comes in. Let’s take a dive in and see how things go.
The first episode: Filmed Before a Live Studio Audience,
takes its inspiration from a 1950’s sitcom, complete in black and white with a
4:3 aspect ratio. Wanda and Vision, who is back from the dead, somehow, are
living in a suburban house in the town of Westview. It’s a fairly standard
sitcom plot from the era, made only slightly weird when Vision’s boss begins to
choke after asking too many questions. We’re introduced to the nosy neighbour
Agnes who will be important later. As the credits roll, we see someone
somewhere is watching the goings on like a show. There’s a cute little touch of
period appropriate outfits in each episode.
The next episode, “Don’t touch that dial” moves the era
along to the 60s, with a limited animation opening. Shenanigans are afoot as a
fully-in colour remote control helicopter lands in the series but as Wanda is starting to
wonder what that’s about, Agnes comes with a rabbit for the magic act. There’s
a talent show to raise money for an elementary school, hence the magic act.
Whilst sitting on a planning committee meeting regarding the
show, Wanda meets Geraldine, who will be important later. Later on the next bit
of weirdness happens as Wanda hears someone call out for her through a regular
60's radio. The ad in this one is for a StrΓΌcker, a Hydra branded watch. The
end of the episode reveals that Wanda is pregnant but something more mysterious
happens at the very end, a beekeeper comes up through the sewers but somehow
the film rewinds back a few seconds until just after the pregnancy reveal, after said
reveal, the house and setting transform in 70s style colour show.
The next episode, Now in Colour, relocates us to a 70s
setting, taking influence from the Brady Bunch in particular. Wanda doesn’t
seem all that worried about her sudden out of the blue pregnancy, and it’s
having a weird affect on her powers, causing her magic to lash out
involuntarily, causing a full blackout.
Vision is beginning to realise things aren’t what they seem
here, but there’s no time to think about that as Wanda’s quickly heading into
labour. The ad this week is for HYDRA brand bath soap. Vision rushes to get a
doctor, as Wanda is getting more painful contractions. Geraldine arrives
wanting a bucket and she starts going into labour, giving birth to twins: Billy
and Tommy.
Agnes and another neighbour, Herb, are discussing Geraldine.
Wanda mentions to Geraldine her brother Pietro and begins singing in Markovian,
Geraldine asks if Pietro was killed by Ultron. Agnes remarks that Geraldine has
no home, and that she’s here because… Geraldine is launched out of Westview and
surrounded by suits as the credits roll.
Episode 4, We Interrupt This Programme gives us some insight
into what’s actually going on through the eyes of several lesser-known
supporting characters. We have the now aged to the period Monica Rambeau, who’s
mother died from cancer as she was blipped away; Darcy, who’s ditched Ian and
went out away from Doctor Foster, and Agent Woo from Ant-man and the Wasp. I’m
gonna limit the full extent of the story here to what’s important to the
overall plot
S.H.I.E.L.D. has been replaced by S.W.O.R.D., the sentient
weapons division, the department always existed, being founded by Maria Rambeau
likely after the plot of Captain Marvel but is stepping up in the face of more
hostile alien threats. The acting director of the project is Tyler Hayward, and
we’ll want to watch out for him later.
Tyler assigns Monica to work with the FBI as they investigate a
missing persons case in Westview, they’ve requested a SWORD tactical drone.
It’s here she meets up with agent Woo, who tells her that the missing person
was on the witness protection list and when he tried to ring up old contacts,
they had no idea who he was. Even weirder the Sherriff outside says the town
doesn’t exist, and the town seems to be actively discouraging people from
entering it. They get the drone out, but it disappears, when Monica
investigates she disappears through the force-field.
It's then re-enforcements are called in, including
scientists from all fields. And Darcy seems to have her upped her game, now
apparently a doctor in her own right, SWORD have set up a base outside the town
with Tyler leading the charge.
Darcy’s quick analysis finds a high level of cosmic
background radiation, and a wavelength hidden beneath it that seems to the
broadcast signal of the episodes we’d seen previously. A guy named Franklin is
sent through a sewer tunnel wearing a haz-mat suit, he’s tethered to keep him
safe as he’s tasked with recovering Monica, who has gone into the show as
Geraldine.
With the broadcast now showing, they can use facial
recognition to identify some of the missing persons, and they quickly discover
Monica. Darcy has an idea, using some tech to hijack some radios, as they
prepare, one of the agents shows them a photo of the downed helicopter drone
from episode 2, looking rather co-incidentally like one of the SWORD drones.
It’s Woo who’s talking through the radio, but of course it didn’t work.
Back to Franklin, he approaches the barrier which converts
his haz-mat suit into a bee-keeper’s uniform, and transforms the tether into
skipping rope, meaning it detaches from his side. The third episode is now
playing but we know nothing extraordinary happens in that episode until the
end.
We see Wanda blast Monica all the way from her house out of
the force-field, then cleaning up the mess before anyone takes notice of it.
Monica has been assured that all of this is Wanda’s doing.
We move into a late 80s/early 90s sitcom setting for the
next, A Very Special Episode and the first one to get 16:9 aspect ratio, that
being said, it’s a little early, for that isn’t it? When Vision throws a hissy
fit about Agnes holding the babies, Agnes acts all nervous and asks Wanda if
they want to do another take, much to Vision’s confusion.
The twins stop crying when they age to 5 years out of the
blue and that’s all before the Full-House style opening credits.
Lab analysis on Monica shows nothing at all but at the
briefing, Tyler is treating this as a terrorist incident with Wanda is as the
principal victimiser and that they need to stop her by whatever means
necessary. He also shows them footage of her storming SWORD headquarters 9 days
ago, seemingly killing the scientists there and extracting Vision’s body.
Billy and Tommy have found a dog, a dog without a tag, Agnes
arrives with a dog-house, convenient. And the boys age from 5 to 10 as Vision
says they need to be 10 to be responsible enough to take care of it. Once
again, Agnes is right there and pays no mind to it.
Monica develops a theory, a theory that’s soon proven
correct as her show costume survives bullets thanks to the Kevlar she was
wearing when she went in. To get through the barrier without being changed,
whatever they sent must be period-appropriate. At Vision’s place of work, they
intercept a SWORD briefing about the high radiation levels. Most of the staff
laugh it off but Vision is still concerned. Vision is able to briefly
disconnect a co-worker of their mind control and they’re screaming for help.
Later, the guys on the outside manage to get an 80's drone
thorough the shield and into Wanda’s vicinity, Monica tries to talk her down,
but unbeknownst to her, the drone had a missile onboard and Tyler gives the
order for his men to take the shot, it backfires spectacularly, Wanda exits the
shield, now called a Hex to warn everyone to back off, showing that she can
turn his own men against him if she wanted to.
Sparky ran off during all the chaos but it’s Agnes who finds
him, dead. Wanda gives them speech about growing from grief, although they
argue that she can fix the dead. As quick as they have him, they’ve lost him
and now they’re putting away his things, and it’s time for Vision to reveal
what he’s been learning the whole time, this leads to a pretty major argument
between the 2 of them which is only stopped by the arrival of a guest, someone
claiming to be Pietro Maximoff, played by Evan Peters, who played Pietro
Maximoff in the Fox X-men films.
The next episodes brings the sitcom inspirations to the
early 2000s, particularly Malcolm in the Middle, meaning the boys get extended
screen-time in this episode: All-New Halloween Spectacular. They get to talk to
the audience a bit and dump a bit of exposition. Wanda and Vision get in their
comic style outfits for the episode, same with “Pietro”
Vision deciding to use his neighbourhood watch credentials
from episode 2 to duck out of being with the family on Halloween. Outside,
Tyler’s deciding to send in the big guns and kill Wanda. Monica points out many
reasons while this is dumb, including not knowing whether killing her brings
down the hex or makes it permanent. Tyler kicks Monica, Darcy and Woo off the
base, they’re escorted by guards who they take down and steal the uniforms of.
Wanda tries to test Pietro’s identity but he manages to
shake it off, but she does find out that Vision is not supposed to be on active
neighbourhood duty. Vision is walking towards the outskirts of the town, seeing
people move in repetitive cycles. The ad for this episode is just fucking
weird. Turns out one of Wanda’s twins, Tommy, has super-speed. I’ll get to them
when I can.
Darcy has really outdone herself, as well getting a
doctorate, she became a world-class hacker as well since we last saw her,
hacking into SWORD files and discovering Tyler had found a way to keep a
headcount of people in the town, and track Vision’s vibranium… They also see
people on the edge of the town are barely moving, something Vision takes notice
of too, he flies into the air and notices that sound is only coming from one
direction. He sees a car at a junction and finds Agnes within it
He removes the filters from Agnes who asks about the Avengers,
who this Vision has never heard of (his memories start and finish with
Westview) then she asks if she’s dead, as she knows Vision is. Vision
approaches the hex. Back outside it’s revealed that traversing through the Hex
has rewritten Monica down to her cells twice, and going inside a third time,
even in a photon cage that she’s preparing would likely result in a more
permanent change. But Monica’s insistent on helping Wanda, knowing the grief
she’s going through. Darcy is going to stay behind and continue her hack whilst
Woo and Monica head to get that photon cage.
Darcy’s soon through the last firewall and sends what she
knows to Woo, but also spots Vision heading towards the Hex. Vision attempts to
walk through it, with a SWORD Team waiting on the the other side, but as he
does so Vision’s body begins to break down, something Billy, the other of
Wanda’s twins can hear, revealing that he has powers similar to Wanda
Darcy is caught and handcuffed, Wanda freezes all the
residents and uses her powers to expand the hex, a few SWORD agents make it out
of harm’s way but Darcy and the entire SWORD base is caught up, turned into a
circus carnival.
Episode 7, Breaking the Fourth Wall brings the sitcom
homages to the modern era, with The Office being the most notable inspiration,
it’s also the last of the sitcom homages as the story takes over completely
from the next episode. Wanda’s powers are on the fritz, with various items
changing eras for no reason at all.
SWORD have a established a new base outside of the new
perimeter, they’re preparing to launch something today. Vision wakes up in the
middle of a circus, where Darcy is playing the escape artist. Agnes comes and
takes the children as Wanda’s close to having a mental breakdown… again.
Monica and Woo discover from the files Darcy send to them
that Tyler was in fact looking to reactivate Vision but nothing he tried could
work until Wanda came along. She meets an old friend of her mothers that
provides a vehicle with the specifications they asked for. Vision restores Darcy’s
memories and they abandon the circus in a massive truck.
Billy mentions that Agnes is somewhat quieter than anyone
else, he doesn’t find it at all suspicious. Monica is all suited up ready for
her attempt to breach the hex. Unfortunately the super-rover doesn’t work, so
Monika decides to make once last ditch effort to get through the barrier, which
she does, earning herself some level of super-powers in the process, also her
suit isn’t rewritten and her memories are in-tact, which is definitely odd.
Darcy explains what happened to Vision and I’m just
wondering how she knows any of this, including bits from a timeline that was immediately
undone. Darcy tells Vision everything she knows. Monica arrives at the suburb
and has a standoff with Wanda, something Agnes pays attention to and
intervenes.
Vision’s decides he’s had enough of his wife’s stalling
tactics and flies off. Agnes brings Wanda into her house, but there’s no sign
of the children. Agnes tells Wanda they’re in the basement and she goes down to
search, finding long passageways covered in roots, she enters what appears to
be a chamber.
Agnes comes along, stroking a rabbit like a bond villain,
and reveals she knows magic too, her real name is Agatha Harkness and she gets
a little ditty inspired, I guess, by like Addams Family or the like. She’s been
secretly pulling strings behind the scenes, making Vision more suspicious of
what’s going on, bringing in the fake Pietro and most horrifying of all, she killed Sparky.
I suppose they had to add that bit because when you really boil it down, she’s
done nothing wrong, yet. Wanda could be considered eviller than her, she’s
subjecting a whole town of nearly 2000 people to her will, and whilst she never
intended to initially, she knows this. In a short mid-credits scene, Monika is
captured by the fake Pietro when she sees the basement.
With that reveal, the final 2 episodes are more
story-driven. We flash back to get of Monika’s backstory as her mother, the
head witch of a coven sentences her to death for practicing dark magic, but
even in the 1600's she was a powerful witch, able to absorb the energy intended
to kill her instead absorbing the energy from and executing the coven,
including her mother.
Wanda finds he can’t use her magic, as there are runic
symbols on the wall that prevent anyone but the caster from using their spells.
Of course, Agatha isn’t capable of doing close to the level of what Wanda’s
been doing and she wants to know how. Wanda can’t or won’t tell her so Agatha
fashions a journey inside her head.
The first piece of the puzzle comes in her childhood, as she
and her family watch the Dick Van Dyke Show, the inspiration for the first
episode of this show. All whilst a civil war is happening in the streets,
resulting in an explosion in their house that kills their parents. He and
Pietro are stuck hiding under a bed as another missile lands in their house, a
Stark Industries missile, the missile was defective apparently but her and
Pietro were safe for 2 days, a hint to Agatha that she always had magical
potential.
But as we know, the next part of the story is where she gets
her strength, experiments with the mind stone, which we find out here was
voluntarily. We also see Cindy-Lou, another sitcom inspiration. Next doorway
comes after another personal tragedy, the death of Pietro and details the first
time Wanda and Vision truly had at the Avengers Compound. Vision’s take on
grief is quite profound.
The next part of this is coming into SWORD to get Vision’s
body, intending at the very least to give him a proper burial, she’s allowed
entrance, contrary to what we were told earlier and is lead directly to Tyler
Hayward, who shows her Vision being dismantled. Again, whilst she’s angry she
never actually hurts anybody, the footage Tyler showed earlier of her stealing
the body has been doctored. She leaves, without the body and makes her way to
Westview, to a plot of land her and Vision had secured to start a permanent
life together.
Its here when Wanda finally breaks down in her grief and
unleashes the hex, and creating a copy of the Vision to reunite with. This all
but confirms Agatha’s suspicions, she been using chaos magic, a type only
thought be usable by the mythical Scarlet Witch. In a mid-credits scene, it’s
revealed that Tyler has used some residual magic from Wanda to reactivate the
real vision, or at the least the shell of him.
And so we come to the Series finale, titled… The Series
Finale. Wanda manages to rescue her kids and hold off Agatha but the arrival of
Vision and Fake Vision complicates matters. Vision and Fake vision fight as
Wanda goes after Agatha, oh and she has the Darkhold, last seen in Agents of
S.H.I.E.L.D., and it looks completely different.
Agatha goes one step further and begins releasing people
from Wanda’s mind-control spells, many of them come to her begging for help.
Turns out the fake Pietro’s real name is Ralph Bohner. *sigh* one hand, the you
count the number of reference to Agnes supposed husband Ralph on the side of a
pick-up truck. On the other, did we see seriously go for a boner joke? Real
classy Marvel.
But at the risk of sounding controversial, it was largely a
well-executed bait and switch. Nothing is gained at this late stage revealing
him to be someone important to the plot, giving him ties to the x-men or the
like would be unnecessary, and given that this was in production before the
Fox-Merger had completed, I doubt it was even possible.
I think we built up a lot of hype around him and are mad at
the show that we were wrong, and that’s not the show’s fault. This episode is
not faultless, the visuals are at their weakest in this episode but I can’t
really in hindsight fault the show for us setting impossible expectations of
it.
Wanda is overwhelmed by their collective emotions, so much that Billy can feel it and him and Tommy race to help. Agnes convince Wanda to take the barrier down, allowing SWORD to start storming the place. But undoing the Hex means undoing all of it, her family and vision as well and she can’t do that. Agatha begins draining more of Wanda’s power.
Tyler goes out like a right punk his car being smashed in by
Darcy. I know they wanted to give her a moment but… actually, what is Tyler
going to prison for, exactly? As for the Vision fight, it’s settled in the most
Vision way possible, through a philosophical discussion. Vision manages to
restore fake Vision’s memories and with that he’s out of the picture. But
there’s still the matter of Agatha, Wanda takes her back to the time she
executed her coven, the mental trick resurrects the coven but they turn on
Wanda calling her the Scarlett Witch, Agatha tells her to give up her powers
and she’ll correct the spell, as she’d have both the power and the knowledge.
Wanda does something actually quite clever, she pretends to
give it up, firing bursts of energy right at her but at times deliberately
missing and casting runes onto the barrier, making it so Agatha can’t use her
magic, and that Wanda can use hers to absorb it all back, giving herself a more
comic accurate costume.
Wanda decides to trap Agnes in the role she chose as
punishment, since she’s not gonna stay locked up in prison with her abilities. It’s
time to set everything right, they head home as the barrier begins to shrink.
It’s not an easy goodbye, particularly for the children. And of-course we have
to say goodbye to the Vision we’ve known across the 9 episodes.
Wanda is left, alone, again, on the plot of land that was
once her home, but the people of the town are free, though few of them pleased
with her after all she’s put them through. Wanda decides to she needs to
understand her power and flies away as the police arrive and yes I know a lot
of people feel she should’ve faced legal consequences for her actions and
whilst I get why they feel that way, no prison could’ve held her anyway.
Mid credits scene and Monica is called the theatre, by
someone who’s revealed to be a skrull, sent presumably by Nick Fury, who wants
to meet with her. See you in the Marvels. In Post Credits, Wanda is in a
log-cabin far away from civilisation… she’s also reading the Darkhold and
searching for her children, as she can hear them calling out for help, to be
continued in Doctor Strange.
Wandavision is not your typical Marvel movie, the TV format
allowed them to be more experimental, and the streaming model even more so,
episode lengths get longer with each passing episode, starting from the first
episode that was barely above 20 minutes to the near 50 for the finale.
It was nice to get a little bit of extra time with Darcy,
Monika and Woo, but I can and I shall argue that of them only Monika gets any
real development, and it’s because of her being a mirror to Wanda and how she
copes with grief.
And that’s the primary theme of this series, each of the sitcoms is a lens to view Wanda’s grief, though as the main plot becomes more of a factor, the sitcom aspect is less well pronounced, with more and more links to the main plot. Wanda’s grief however is present throughout and much of this story is her having to learn to live with it, to move forward rather than cling on to what was and cannot be, easier done when this isn’t the latest in a long line of personal tragedies.
Whilst she may not face legal ramifications for what she did in Westview, there were consequences for her, as she sacrificed just about everything to put things right, and since she didn’t know how to cast the spell in the first place, I don’t she can just do it again on a smaller scale. [Edit, I've seen Doctor Strange 2 now and she totally could have done that]
Agatha is a fun antagonist, she’s much a call-back to a
classic Disney villain. She’s evil and she’s loving every moment of it. Kathryn Hahn absolutely kills it in the role and I’m thrilled she’s getting her own
spinoff show out of this. I hope they don’t do too much to humanise her and
lose that classic Disney villain magic that made her so fun.
Tyler was about as interesting as dried bread. He’s your
usual stuck-up suit who thinks violence is the only solution against Wanda,
even when its clear that it won’t work. Ergo, he’s an idiot. Him being a friend
of Maria Rambeau doesn’t add much as we never saw him before this show. Still
don’t know what crime he’s actually gonna be charged with.
WandaVision explores the avenue of grief through a unique
lens, paying homages to various eras of sitcom with a fair share of laughs but
ratchets up both the emotional and physical tension as the series progresses.
It starts out as a mystery combined with a sitcom and ends on a more
traditional Marvel fight, which is less impressive visually but at least feels
like an appropriate climax.
Rating 75/100
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